Travel – Rethymno, Crete, Greece – 2026

We revisited Rethymno, Crete, at the beginning of the month staying once again in the Aquila Porto Rethymnon Hotel. This was a half board deal, booked through TUI, flying from Bristol UK into Heraklion, Crete. The flight and airport were pretty uneventful although the transfer from the airport to the hotel took 90 minutes in a pretty uncomfortable, packed minibus. Still, we were on holiday and didn’t care.

Continue reading

Vintage Lenses – Three New Nikon Lenses

Jodrell Bank Cheshire UK. Taken with a Nikon 105mm f2.5 and Sony A7 mk3

Its been a while since I posted in relation to my vintage lens journey and I’ve added to my collection during that time. The first of my recent acquisitions was a Nikon 105mm f2.5 Pre AI lens. It was a popular lens back in the 70’s and 80’s and was made famous by Steve McCurry who shot the famous Afghan Girl image for National Geographic with a copy.

I really like this lens. It’s very sharp with lovely smooth bokeh wide open. It is heavy, very heavy in fact, but that’s a small price to pay for a lens of this quality. It’s built like a tank which is just as well as I dropped mine from waist height onto a concrete floor last week. Luckily it landed on the lens converter and, despite the sudden jolt, the lens seems to have come through the ordeal unscathed.

Nikon 105mm f2.5 and Sony A7 mk3
Nikon 105mm f2.5mm and that smooth bokeh. Shot at f2.5

As I was so happy with my previous Nikon purchases I decided to invest in a Nikon 28mm f2.8 AI a few weeks ago. There are several versions of this lens and what I really wanted was the later AIS version. That lens is regarded, in some quarters, as the best lens ever produced by Nikon. It has 8 elements, one of which is floating, as opposed to the 7 elements in my 28mm AI version.

At the time of purchasing my AI version I couldn’t get hold of the AIS model in the UK. It’s an expensive lens as well so I thought I’d buy an AI version which was a lot cheaper (about the third of the price of the AIS version). It had a small amount of fungus on the edge of the front element but that’s had no impact on my images.

Nikon 28mm f2.8 AI with Sony A7 mk3

The lens arrived just before a weeks holiday in Rethymno, Crete where I used it a lot. The hype around these Nikon 28mm lenses is justified in my opinion. This is a cracking lens and I really enjoyed using it last week.

Whilst we were away a Nikon 28mm AIS became available on Ebay in the UK. It was advertised as a mint example and was being sold by a seller I’ve bought from before and who I had been really pleased with. I decided to make a bid on the lens with a maximum price I was prepared to pay in mind. On the final sale day I won the auction by £3!

The lens arrived once we were back from Crete and it’s a really good copy. I’ve not had chance to use it yet but I’m looking to going out with it sometime this week. I might sell my existing 28mm or open it up and see if I can clean the fungus. I’m keen to have a go. I need to buy some Japanese Industrial Screwdrivers before I can open it up so I’m still mulling that one over.

Nikon 28mm f2.8 AI with Sony A7 mk3

The quality of these old Nikon lenses (and the Canon FD lenses come to that) is superb. They’re a joy to use and it’s made me revaluate where I’m going with these old lenses. I’ve found I now have favourites amongst my collection and I’m not using a lot of the mostly cheaper lenses I initially started out with.

However, the majority of these other old lenses seem to have at least one redeeming feature which makes me want to hang on to them. Usually it’s the way they render bokeh. That redeeming feature is probably why I bought a particular lens in the first place.

Nikon 28mm f2.8 AI with Sony A7 mk3

I’m still really enjoying using these old lenses but I’ve found myself moving on to higher priced, better quality, examples as my journey with them continues. So, for the time being, I think I’m going to resist making any further additions to my collection. Well, until I read another vintage lens blog with another amazing lens review and recommendation.


All images: ©Stephen Hyde 2007-2026 – All rights reserved

Lens-Artists # 401: Focus on the Subject

Patti hosts this weeks challenge and asks us to use compositional tips to improve our images. The tips and full challenge details are outlined in her original challenge post which you can find here.

We’ve just returned from a holiday where my camera has been really busy. Having returned on Friday I shot a wedding yesterday so there’s no way I’ll get out this week to shoot new images for the challenge. What I can do is use some of the images from yesterday, and last week, to fit some of the tips in Patti’s post.

Continue reading

Lens-Artists Challenge #400 – The Rule of Three

The old port lighthouse with three small tenders moored up nearby. If the boats had been more interesting I’d have walked around and made them the main subject, rather than the lighthouse.

Tina has set this weeks challenge – The rule of three. The rule of threes depicts images which contain three subjects. This is a lesser-known photographic concept but perhaps one worthy of further exploration.

I have to say this was a new rule for me. I can’t say I’ve ever deliberately taken a picture with this rule in mind, up until today that is. I could say that I’ve tried to shoot still life subjects, like food, in a triangle around the frame. That very loosely follows the same concept but the objects in those triangles can be very different things and not obviously three distinct items.

We’re currently on holiday in Rethymno, Crete, Greece. So without access to my portfolio at home I went out for a walk this morning and tried to find groups three to photograph for the challenge. Like last weeks Lens Artist tasking, it was another interesting photographic exercise. I’ve ended up with a few images I’m pleased with that I wouldn’t normally have shot. It’s one reason I love Lens Artists, I’m thinking differently and shooting images I wouldn’t shoot – last week and today are two great examples.


I’m typing on an iPad, which is painful, so without further ado here are my challenge images, all shot in Rethymno today…

Colourful rustic chairs outside a local restaurant.
Terracotta plant pots on some colourful steps
Three small windows in a building located in the towns old fortress.
A colourful window display. By now I was starting to realise I was just photographing other people’s ideas for groups of three 😎
I got a bit more creative with this intersection of three roofs.
I did create this group of three and tried to tell a little story with them. They’re take away coffee cups from a local cafe we’ve been visiting. I’ve loads more to collect 😃

Thank you to Tina for hosting and setting another challenging challenge. It’s proper ‘SCHORCHIO’ here so I’m getting back on the sun bed now. I’ll leave you with a lovely sunset shot from last night.

All images: ©Stephen Hyde 2007-2026 – All rights reserved

Lens-Artists Challenge #399: Stuck in a Place

Our trusty, old, metal watering can. Shot with a vintage Canon FD 55mm f1.2. I shot the rose at f1.2 to give that really shallow depth of field. I always wanted a lens for portraits with a really shallow depth of field. This lens is perfect for that and it’s very sharp as well.

Egidio sets this weeks challenge. his original challenge post is here. To quote from Egidio’s post, these are the rules for the ‘Stuck in a Place’ challenge:

Continue reading

Lens Artist Challenge #397: Texture

This image is similar to the scene in the film ‘Gladiator’ where Russell Crowe returns to his small holding. It’s not Russell Crowe in this image, it’s my wife, Linda, and there’s no bad news at the end of this track. However both and Russell were doing the same thing, reaching out to feel the texture of the wheat.

Anne has set this weeks Lens Artist Challenge. Anne has asked us to show images where texture plays an integral part. Here original challenge post can be found here: Lens Artist Challenge #397: Texture

Continue reading

Lens-Artists Challenge #392: Framing Your Shots: Exploring the Foreground, Middle Ground, and Background

This is a view across to San Gimignano, Tuscany Italy from our accommodation. I’ve used the vineyard adjoining our property for some foreground interest. The middle ground is the view across the valley, filled with olive groves and more vineyards. The focal point is the background, wonderful San Gimignano.
Continue reading

Lens-Artists Challenge #390: Colour in Black and White

A Flamingo. It’s strange converting this because it really is all about the colour with these wonderful birds. That said I like it in monochrome.

Egidio hosts this weeks challenge and, if I have this right, he would like us to post black and white images that contain a subject, that we know so well, we can replace the missing colour. His original challenge post is here.

Continue reading

Vintage Lenses – Spring Flowers

A flower on a Ribes shrub growing in a cottage garden we passed

A sudden spell of good weather has brought our local woodland and gardens to life over the past week or so. The weather here, in the South West of England, has been very wet but mild over the winter. So there have been no hard frosts to kill off delicate plants or hold things back.

Continue reading

Vintage Lenses – More adventures with my lens spanner

My Soviet 1957 Jupiter 9 85mm f2

So, having successfully opened up a Helios 44-2 and reversed the front element using a newly purchased lens spanner (blogged here), I decided to attack another couple of lenses this week. Things went pretty well initially but, I learnt a tough lesson through inexperience with these older lenses.

Continue reading