Vintage Lenses – Three New Nikon Lenses

Jodrell Bank Cheshire UK. Taken with a Nikon 105mm f2.5 and Sony A7 mk3

Its been a while since I posted in relation to my vintage lens journey and I’ve added to my collection during that time. The first of my recent acquisitions was a Nikon 105mm f2.5 Pre AI lens. It was a popular lens back in the 70’s and 80’s and was made famous by Steve McCurry who shot the famous Afghan Girl image for National Geographic with a copy.

I really like this lens. It’s very sharp with lovely smooth bokeh wide open. It is heavy, very heavy in fact, but that’s a small price to pay for a lens of this quality. It’s built like a tank which is just as well as I dropped mine from waist height onto a concrete floor last week. Luckily it landed on the lens converter and, despite the sudden jolt, the lens seems to have come through the ordeal unscathed.

Nikon 105mm f2.5 and Sony A7 mk3
Nikon 105mm f2.5mm and that smooth bokeh. Shot at f2.5

As I was so happy with my previous Nikon purchases I decided to invest in a Nikon 28mm f2.8 AI a few weeks ago. There are several versions of this lens and what I really wanted was the later AIS version. That lens is regarded, in some quarters, as the best lens ever produced by Nikon. It has 8 elements, one of which is floating, as opposed to the 7 elements in my 28mm AI version.

At the time of purchasing my AI version I couldn’t get hold of the AIS model in the UK. It’s an expensive lens as well so I thought I’d buy an AI version which was a lot cheaper (about the third of the price of the AIS version). It had a small amount of fungus on the edge of the front element but that’s had no impact on my images.

Nikon 28mm f2.8 AI with Sony A7 mk3

The lens arrived just before a weeks holiday in Rethymno, Crete where I used it a lot. The hype around these Nikon 28mm lenses is justified in my opinion. This is a cracking lens and I really enjoyed using it last week.

Whilst we were away a Nikon 28mm AIS became available on Ebay in the UK. It was advertised as a mint example and was being sold by a seller I’ve bought from before and who I had been really pleased with. I decided to make a bid on the lens with a maximum price I was prepared to pay in mind. On the final sale day I won the auction by £3!

The lens arrived once we were back from Crete and it’s a really good copy. I’ve not had chance to use it yet but I’m looking to going out with it sometime this week. I might sell my existing 28mm or open it up and see if I can clean the fungus. I’m keen to have a go. I need to buy some Japanese Industrial Screwdrivers before I can open it up so I’m still mulling that one over.

Nikon 28mm f2.8 AI with Sony A7 mk3

The quality of these old Nikon lenses (and the Canon FD lenses come to that) is superb. They’re a joy to use and it’s made me revaluate where I’m going with these old lenses. I’ve found I now have favourites amongst my collection and I’m not using a lot of the mostly cheaper lenses I initially started out with.

However, the majority of these other old lenses seem to have at least one redeeming feature which makes me want to hang on to them. Usually it’s the way they render bokeh. That redeeming feature is probably why I bought a particular lens in the first place.

Nikon 28mm f2.8 AI with Sony A7 mk3

I’m still really enjoying using these old lenses but I’ve found myself moving on to higher priced, better quality, examples as my journey with them continues. So, for the time being, I think I’m going to resist making any further additions to my collection. Well, until I read another vintage lens blog with another amazing lens review and recommendation.


All images: ©Stephen Hyde 2007-2026 – All rights reserved

Lens-Artists Challenge #400 – The Rule of Three

The old port lighthouse with three small tenders moored up nearby. If the boats had been more interesting I’d have walked around and made them the main subject, rather than the lighthouse.

Tina has set this weeks challenge – The rule of three. The rule of threes depicts images which contain three subjects. This is a lesser-known photographic concept but perhaps one worthy of further exploration.

I have to say this was a new rule for me. I can’t say I’ve ever deliberately taken a picture with this rule in mind, up until today that is. I could say that I’ve tried to shoot still life subjects, like food, in a triangle around the frame. That very loosely follows the same concept but the objects in those triangles can be very different things and not obviously three distinct items.

We’re currently on holiday in Rethymno, Crete, Greece. So without access to my portfolio at home I went out for a walk this morning and tried to find groups three to photograph for the challenge. Like last weeks Lens Artist tasking, it was another interesting photographic exercise. I’ve ended up with a few images I’m pleased with that I wouldn’t normally have shot. It’s one reason I love Lens Artists, I’m thinking differently and shooting images I wouldn’t shoot – last week and today are two great examples.


I’m typing on an iPad, which is painful, so without further ado here are my challenge images, all shot in Rethymno today…

Colourful rustic chairs outside a local restaurant.
Terracotta plant pots on some colourful steps
Three small windows in a building located in the towns old fortress.
A colourful window display. By now I was starting to realise I was just photographing other people’s ideas for groups of three 😎
I got a bit more creative with this intersection of three roofs.
I did create this group of three and tried to tell a little story with them. They’re take away coffee cups from a local cafe we’ve been visiting. I’ve loads more to collect 😃

Thank you to Tina for hosting and setting another challenging challenge. It’s proper ‘SCHORCHIO’ here so I’m getting back on the sun bed now. I’ll leave you with a lovely sunset shot from last night.

All images: ©Stephen Hyde 2007-2026 – All rights reserved

Vintage Lenses – More adventures with my lens spanner

My Soviet 1957 Jupiter 9 85mm f2

So, having successfully opened up a Helios 44-2 and reversed the front element using a newly purchased lens spanner (blogged here), I decided to attack another couple of lenses this week. Things went pretty well initially but, I learnt a tough lesson through inexperience with these older lenses.

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Vintage Lenses – Helios 44-2 with a reversed front element

An early shot with the modified lens. I took the lens out with us to grab some shots this morning but we were unlucky with the weather and walked straight into a monsoon like squall. Thinking of my wife and dogs welfare I agreed to put the camera away and go for a coffee until the squall blew through. I know, I’m a good guy. Actually, the truth of the matter is I was more worried about getting my vintage lens and Sony A7 wet!!

Having scoured so many vintage lens blogs and watched hours of vintage lens YouTube videos over the last few months, I was aware that lens elements could be reversed to achieve some quirky effects. It was something I hadn’t considered trying until I stumbled across Nadin Thomsons wonderful photography blog site. Here’s a link to Nadins site, it’s well worth making a visit – nadinthomson.co.uk

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Photography – A New Camera

My new (second hand) Sony A7 MkIII with a 1958 Jupiter 9 85mm f2 vintage lens

I’ve written recently about my interest in vintage lenses and how much I’ve enjoyed using them. It’s very rare that I use my modern Fuji lenses these days. So, having convinced myself that using vintage lenses is not just a passing fad I decided to enhance my use of them by investing in a full frame camera.

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Vintage Lenses – Auto Takumar 50mm F1.4 (8 Element Version)

Auto Takumar 50mm f1.4 – Shot at F5.6 earlier today.

I’ve been shooting on and off with vintage lenses for a couple of years now. I always enjoyed using them but I didn’t really stick with it. I think it’s probably because I was prioritising shooting stock images, which need to be tack sharp. To that end using my modern Fujifilm lenses, with auto focus and coatings that have superb flare and glare control made more sense. There’s more on my drift into using vintage lenses in a previous blog – Vintage lenses and Flickr

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Photography – Photoshop Actions

Following this weeks Lens-Artist Challenge on WP I was scrolling through some of the challenge posts. One of these was from /ˈsnæp.ʃɒt/. On Keith’s blog (it’s well worth spending some time there) I found a reference to taking pictures with a Game Boy console using a Game Boy Camera.

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Lens Artist Challenge #341 – Personal Favourites

Kutubiyya Mosque, Marrakesh. You can’t go in to the mosques in Marrakesh but they didn’t seem to mind you taking pictures from outside. We timed it so we’d be near the mosque at around midday when we knew the doors would be open. This was just a quick grab shot and I had no idea what I had until I processed the image later. I could have easily filled this post with favourite images from Marrakesh.

Tina over at Travels and Trifles has led this week’s Lens-Artist’s challenge. I’ll echo everyone else and say how this was a really tough challenge. It would have been easier to duck out completely but I thought ‘No, I’m going to do it’. I’m posting late because we’ve been away.

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Vintage Lenses – My lenses paired with a Canon 5D MK2

Canon 5D MK2 paired with my Pentacon 135mm F2.8 – Superb when I nailed the focus, trouble was, I didn’t most of the time.

I’ve enjoyed using my vintage lenses with my Fujifilm X-T cameras over the last few weeks. It’s been really good to slow down, using manual focusing, and I like the colour rendering and sharp images my Auto Takamar 35mm F2.3 lens has produced (it’s a 50mm lens on my crop sensor Fuji cameras). The other vintage lens I’ve been using is my Pentacon 135mm F2.8 – known as the bokeh monster, with good reason.

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Vintage Lenses – Auto Takumar 35mm F2.3

My Auto Takumar 35mm F2.3 on my Fujifilm X-T2.

I’ve had this Auto Takumar 35mm F2.3 for a couple of years now but I’ve never really used it that much. Having been out and about and used it all day today that will be changing because its a superb lens.

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