We first visited Estepona in 2023. On that occasion our hotel was situated about eight miles out of town which meant a bus ride in for us before we could start exploring. I wanted to return but stay in the town or close to it. So with that in mind we booked a H10 hotel located on the edge of town and within easy walking distance of the town centre.
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It’s getting on for nearly a year now since I started regularly using vintage prime lenses, choosing to shoot with them rather than my modern Fujifilm alternatives, mostly zooms. I don’t own a vintage zoom lens. I’m not sure why that is other than I’ve enjoyed using my new prime lens collection and just not been minded to even research vintage zooms as an option. However there is one issue that’s become apparent with these old prime lenses since I bought my full frame Sony A7 MK3 earlier year.
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We took advantage of some recent good weather in the UK and booked a short caravan holiday, Mon-Fri, at Ladram Bay on the East Devon coast. A late booking discount meant we paid £360 for an eight berth caravan plus an extra £40 for the dog.
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We revisited Rethymno, Crete, at the beginning of the month staying once again in the Aquila Porto Rethymnon Hotel. This was a half board deal, booked through TUI, flying from Bristol UK into Heraklion, Crete. The flight and airport were pretty uneventful although the transfer from the airport to the hotel took 90 minutes in a pretty uncomfortable, packed minibus. Still, we were on holiday and didn’t care.
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Its been a while since I posted in relation to my vintage lens journey and I’ve added to my collection during that time. The first of my recent acquisitions was a Nikon 105mm f2.5 Pre AI lens. It was a popular lens back in the 70’s and 80’s and was made famous by Steve McCurry who shot the famous Afghan Girl image for National Geographic with a copy.
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Having scoured so many vintage lens blogs and watched hours of vintage lens YouTube videos over the last few months, I was aware that lens elements could be reversed to achieve some quirky effects. It was something I hadn’t considered trying until I stumbled across Nadin Thomsons wonderful photography blog site. Here’s a link to Nadins site, it’s well worth making a visit – nadinthomson.co.uk
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I bought, yet another, vintage lens from Ebay last week. I’d read a favourable review of the Nikon NIKKOR-S.C Auto 50mm f1.4, a 1970’s classic and decided I’d like one. It’s still widely available and I bought a copy, in mint condition, for £100. I’ve never owned, or used, a Nikon lens before but I’m suitably impressed. The build quality is superb and it’s a dream to use.
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Well this is really spooky. This week Anne challenges us to post images from photo opportunities we’ve stumbled across on one particular walk. I’ve done exactly that today, before I knew what was coming with this weeks challenge! Here’s the story of that walk.
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Following on from the success and enjoyment I had using my vintage lenses in Marrakesh (blogged here) I decided to invest in a few more old lenses. I’ve spent hours researching on YouTube channels, blogs and Flickr and came up with a short list of lenses that might compliment those I already owned.
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I’ve been shooting on and off with vintage lenses for a couple of years now. I always enjoyed using them but I didn’t really stick with it. I think it’s probably because I was prioritising shooting stock images, which need to be tack sharp. To that end using my modern Fujifilm lenses, with auto focus and coatings that have superb flare and glare control made more sense. There’s more on my drift into using vintage lenses in a previous blog – Vintage lenses and Flickr
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Steve Hyde 